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The Wind That Shakes Barley
 
—;%ia;jdoh˜ lshk jpkh ñksiaiqkaf.a m%YaK /il h:d¾;h jid ±uqKq lv;srhla' W;=re wh¾,ka;hg ;%ia;jd§ f,an,h we,jqfKa wo Bfhl fkfjhs' fïl ta ldf,a l;djla'
fâñhka lshkafka ffjoHjrfhla' ;uka f.a wOHdmkh wjidkfha jD;a;sfhys fh§ug k.rhg hEug ierfik Tyqg ;u rgjeishkag ;u rg wdl%uKh fldg we;s bx.S%iS md,lhskaf.ka jk ysxid w;aolskak ,efnkjd' t;eka miq Tyq ;u ifydaor rg jeishka wdl%uKslhskaf.ka fírd .ekSfï jHdmdrhg tla fjkjd' t;ekska werfUk fuu Ñ;%mgh wiïm%odhsl hqoaOhl úúO ÈYdk;Ska Tiafia úldYkh jkjd'

.ß,a,d jHdmdrhla wdrïNh ùug fya;=" uQ,a îchka fukau hqO Wml%u fuys fyd`Èka ±l.kak mq¿jka' tfukau tlS jHdmdrhla mj;ajdf.k hEug isÿ l< hq;= lemlSÍï fukau .ß,a,d jHdmdrhla ;=, udkqISh in`o;d fln÷o hkak;a fuys ,d idlÉPd fldg ;sfnkjd' úfYaIfhka ;u foaYmd,k Wmdh ud¾.h lrd hEug wiïm%odhsl hqO ls%hdud¾. fhdod .kakd wldrh o ikakoaO ls%hdoduhl§ ;sìh hq;= ±ä úkh fukau tfia fkdjqkfyd;a isÿúh yels M,úmdl o
The Wind That Shakes Barley ;=<ska u;= fjkjd'

2006 jif¾ lEkaia iskud Wf<f,a fyd`ou Ñ;%mgh njg m;ajQ fuu Ñ;%mgh iïudk ,dNS m%ùk iskud wOHlaIljrfhla jk
Ken Loach f.a É;%mghla' ì%;dkHfha úúO ÈYdjka ys w;sukrï o¾Yk ;,hka ;u leurd ldphg yiqlr.ekSug wOHlaIjrhd iu;aj ;sfnkjd' ñksid fjkqfjka iskudj Ndú;h ms<sn`o m%lg fudyq Land & Freedom, Bred & Roses jeks iskud ks¾udK rdYshla ksmojd ;sfnkjd'

isú,a wr., ms<sn`o úúO w;a±lSï we;s YS% ,dxlslhkag fï É;%mgh ióm w;a±lSula jkq fkdwkqudkhs' ;%ia;jdoh lshk lv;=rdfjka ñ§ug fï Ñ;%mgh Woõ fõ kï nÜfgla yokak neß rgl iíueÍka yokak Yla;shla wdfõ fldfyduo lsh,d f;areï .kak tl tÉpr wudre fkdfõú'

 
ixL lsß|sje,
 
.syska n,kak'
fï iïmQ¾K Ñ;%mgh wka;¾cd,fhka ,nd .ekSug o yelshs'  
TORRENTS .kak
 

  i,rejla .ek T;a;=jla

The Melody of Life  – SUR

 
Vickramadithya Singh kï jQ .dkaO¾jhd ix.S;h fjkqfjkau ;u cSú;h lem lrkafkls' Tyqf.a w;sYh .eUqre" ixfõoS ix.S;h ksidu rg mqrd ckdorhg md;% fjhs' tfukau Tyq ;u YsIHhskaf.a oË;d uqjy;a lr .ekSug" Tm lr .ekSug ish Y%uh fhdojhs' Tjqkf.a bosß u. ilid oSug fjfyfihs' flfia jqjo Tyq ;u ks¾udK ;=<ska iEySug m;a fkdjk w;r ;u is; ;=< we;s tla;rd rejla yuqjk ;=re Tyqf.a is; fjfyfihs' ta yuqùu;a iuÕ Tyqf.a wk¾.;u ks¾udKh ìys fõ hehs oeä úYajdihla o Tyq ;=< fjhs'

rEu;a" oÕldr hqj;shl jk àkdg we;af;a b;d ñysß lgy~ls' weh ix.S;hg fl;rï we,aula olajkafkao h;a weh m,a,sfha .S;sld lKavdhug iïnkaOj isà'

ks;r úms<sir jk oskl
Vickramadithya Singh wyïfnka ta wmQre rej oel .kS' lS¾;su;a ix.S;{fhl= jk Vickramadithya Singh f.a wdrdOkdfjka úËsma;j àkd ;SrKhla .; fkdyels ;;ajhg m;a jqjo wjik wE ix.S;hg we;s leue;a; ksidu Tyqf.a mdie,g we;=¿ jkakg ;SrKh lrhs' àkd i;= oË;dj ms<sn|j uú; jk Tyq wehg ta jeä oshqKq lr .ekSug ish¿ iyfhda.h fohs' wE flfrys oeä we,afuka hq;=j ksrka;rj mqyqKq lrñka àkd ckm%shu .dhsldjl lrkakg uy;a fjfyila .kS'

oskl weh" ish yo m;=f,ys /|s b;du ixfõoS jQ ix.S; lKavh fidhd .kS'

l,dlrejdf.a w;sYh ixfõoS udkqISh yeÕSï iy fndfyda iqkaor oE ;ud i;= lr .ekSfï oeä we,au fya;=fjka
Vickramadithya Singhg Tyqf.a Wiia wruqKq wu;lj hhs' Tyqf.a cSú; ld,h mqrd fidhñka isá ßoauhg jYS ù Tyqf.ka àkdg jk widOdrKh;a" wk;=rej Tyq th ksjeros lrkakg .kakd jQ oeä fjfyi;a is;a wjq,jd" fma%Ël is;a y~jd bosßm;a lrkakg SUR iu;a fjhs'

ix.S;h leá jqK wmQ¾j iskud is;a;ula jk
SURys wOHËKh Thanuja Chandra f.ks' fuys AA bhi jaa kñka m%lg jQ .S;h" fyd|u .S mo rpkh f,i 2003 jif¾ meje;s fnd,sjqâ iskud Wf<f,aoS iïudkfhkao mqokq ,eîh'

ksIamdokh(
Rangita Pritish Nandy & Pooja Bhatt
ix.S; wOHËKh(
M.M.Kareem
rx.kh(
Lucky Ali, Gauri Karnik, Simone Singh, Achint Kaur, Divya Dutta
.dhkh(
Lucky Ali, Sunidhi Chauhan
.S mo rpkh(
Nida Fazli
 
.syska n,kak'
 

GIRL WITH A PEARL EARRING

 
ody;a jk ishjfiaa fko¾,ka;fhaa is;=jï l,dfõ iaj¾Kuh hq.h jQfhaah' tl, úiQ iqm%lg Ñ;% Ys,amsfhl= jk —fcdyekakia j¾ñh¾˜ f.aa f;,s ;=äka 1665 jif¾§ ksuejqKq —Girl with a Pearl Earring˜ Ñ;%h mdol fldg f.k fÜ%is fIj,sh¾ úiska 1999 jif¾§ tu kñkau kjl;djla ,shd m, lrk ,§' th w;sYhska" ukrï jQ;a" .=ma; jQ;a" tfiaau úfgl ord.; fkdyels ;rï wkqfõokSh jQ;a m%nkaOhls' ^fï kjl;dj —uq;= lrdnqj me<|s hqj;sh˜ kñka isxy,hg ke.S ;sfí'&

fÜ%is fIj,sh¾ úiska rÑ; kjl;dj weiqfrka" 2003 jif¾§ tlai;a rdcHfhaa ,laiïn¾.a ys§ tu kñkau bx.%Sis niska ks¾udKh jqKq wmQre iskud is;a;uhs fï' wOHlaIKfhka mSg¾ fjn¾ o ;sr rpkfhka T,súhd fyà%â o odhl ù we;s w;r fld,ska *¾;a —fcdyekakia j¾ñh¾˜ f,i;a" iald,Ü fcdyekaika —.%Sܘ f,i;a rx.kfhka tla ù we;'

—.%Sܘ 1660 § fko¾,ka;fhaa Ôj;a jQ oyih úhe;s kj fhdjqka ;reKshls' jD;a;sfhka msÕka .fvd,a u; is;=jï we|Su lrk wef.aa mshd yÈisfhka wkaONdjhg m;a ùu;a iuÕu wef.aa mjq,g wd¾Óluh jYfhka fndfyda ÿIalr;d j,g uqyqK §ug isÿfõ' tA wkqj —.%Sܘ" iqmsß Ñ;%Ys,amsfhl= jk —fcdyekakia j¾ñh¾f.aa˜ ksjfiaa fufyldr fiaajh msKsi hjkq ,nhs' iajdñhd iy fufyldßh f,i ks¾ñ; Tjqkaf.aa miqìï ;=, ys|sñka" tÈfkod l%shdldrlï ;=,§ Ñ;%Ys,amh ms<sn| we;s .%SÜ f.aa Wkkaÿj;a" j¾K yd tAjdfhys l,d;aul ixfhdack ms<sn| oekqu;a Tyq ;=, uy;a m%idohla we;s lrjk w;r wef.aa l,d;aul oEi Tyqf.aa j¾k iy wdf,dalh msreKq f,dalhg jv jvd;a ióm fõ' tA wkqj Tyq weh ,jd ;udg wjYH ;Ska; ilid .ekSug ;SrKh lrk w;r th b;d ryis.;j isÿfjhs' .%SÜ yd fndfyda fõ,d l,a .;a lsÍu .ek j¾ñh¾ f.aa ìß| —le;ßkd˜ ielfhka miqfjhs' Bg iu.dñj" ish neKkqjkaf.aa oialï ms<sn| uy;a fiaa w.hk le;ßkdf.aa uj " —.%Sܘ f.ka Tyqg jk uy;a Wmldrh f;aareï f.k fydr ryfiaa" ish,a, mqmqrd fkdhkq jia j¾ñh¾ fjkqfjka fmkS isáñka Tyqg Wmldr lrhs'

tla;rd Èfkl j¾ñh¾ f.aa ióm;uhl= jk —jEka rhsjka˜ úiska —.%Sܘ is;=jug k.d fok fuka Tyqf.ka b,a,d isà' is;=ju i|yd ish ìß| —le;ßkd˜ f.aa uq;= lrdnq me,|sh hq;= nj j¾ñh¾ úiska fhdackd lrkq ,nhs' ish fufyldßh úiska ;udf. uq;= lrdnqj me,| is;=jug fmkS isá nj —le;ßkd˜ úiska oek.ekSu fyaa;=fldg uy;a úkdYhla isÿjk w;ru —.%Sܘ g ksji w;yer hkakg isÿ fõ' l,la .; ù" j¾ñh¾ f. urKfhka miq Tyq f.aa wjidk leue;a;g wkqj uq;= lrdnq hq., —.%Sܘ g ysñ ùfuka Ñ;%mgh wjika fõ'

fuu Ñ;%mgh ;=, m%nkaOhg fjkia jQ hï isÿùï we;' kjl;dj ;=, wvx.= hï hï pß; Ñ;%mgfhka neyer lr we;s w;ru isÿùï lsysmhla mQ¾K f,i fjkia lsÍï j,g ,la lr we;'

—äkd¾â ì%;dkH iskud iïudk Wf<f,aa˜ §;a" —Ydka; finia;shka wka;¾cd;sl iskud Wf,f<˜ §;a" —iS' whs' iS' tA' B iïudk Wf<,˜ yd ˜f,dia wekac,Sia úpdrl iïudk Wf<f,aa˜ §;a mSg¾ fjn¾ iy bhqfvrdfvd fiaard iïudkhg md;%jQfhaah' tfiaau" 2003 jif¾ welvñ iïudk Wf<f,aa " fyd|u l,d wOHlaIKh" fyd|u iskudlrKh iy fyd|u we÷ï ks¾udKh hk iïudk i|yd —
Girl with a Pearl Earring˜ fhdackd ù ;sìKs'
 
.syska n,kak'
fï iïmQ¾K Ñ;%mgh wka;¾cd,fhka ,nd .ekSug o yelshs'  
TORRENTS .kak
 
Love in the time of Cholera
fld<rd ldf,a wdf,a
How long would you wait for love?
51 years, 9 months, 4 days…
 
fld<rd ldf,a wdf,a kñka .dñKs úhkaf.dv úiska isxy,g mßj¾;kh lrk ,o" fkdfn,a ;Hd.,dNS fldf,dïìhdkq cd;sl .díßfh,a .d¾ishd udflaia úiska f,dal idys;Hhg tl;= l< Love in the time of Cholera (Spanish: El amor en los tiempos del cólera) kï jQ w;sYh ixfõoS yoj;a j,g ;s<sK l< lD;sh iamd[a[ NdIdfjka m< lrk ,oafoa 1985 jif¾oSh' th 1988 jif¾oS Edith Grossman úiska bx.%Sis NdIdjg mßj¾;kh lrk ,oS'

Florentino Ariza kï jq ;reKhd Fermina Daza kï ;reKsh flfrys we;s jk wdl¾IKh fya;=fjka osfkka osku Tyq wE fidhd hkakg W;aidy orhs' kj fhdjqka úfha we;s jk wdorh yryd fuu l;dj osj hk w;r Florentino Ariza wE flfrys oeä wdorfhka nef|hs' úkdYldÍ fld<rd jix.;h Tiafia Tjqfkdjqka wE;aj hk ieá o" *¾ñkdf.a mshd úiska ouk ,o ks;S Í;s úiska o fuu wdorjka;hskaf.a f,dalh foord hñka *¾ñkd fj;ska m%;sfËamj .sh o *af,dfrkaáfkd-f.a fjkia fkdjk oeä wdorh yuqfõ Tyqf.a uj ú|sk ÿla fõokd o wmQrejg u;= lrkakg ud¾flaia iu;aj we;' mj;sk mjq,a miq ìu u; Tjqkaf.a wdorh ch fkd.;a; o" Fermina Daza fjk;a ;reKhl= yd újdy jQjo Florentino Ariza ;ju;a wEg wdorh lrñka ys|S' Tyq tu wdorh u ;u cSú;h lr wE ,qyq n|sñka cSú;h f.jd ouhs'

wdorh hkq fl;rï m%n, yeÕSulao" th csj;a ùu i|yd fudk ;rï n,dfmdfrd;a;= imhkafka o hkak Zfld<rd ldf,a wdf,aZ Tng mjihs' th t;rï u Tn ixfõoS lrhs' wdorh iy wdYdjka ;=< foda,kh fjñka ñksia is; yeisfrk iajNdjh biau;= lr fmkajkakg ork W;aidyih;a" ieneúkau wdorh kñka hful=g cSú;h mqo osh yels nj;a bka lshd fohs' b;d ÿlanr wdor wkaorhl i;=gqodhl ld,h meñfKkafka *¾ñkdf.a iajdñmqreIhdf.a wNdjh;a iu.sks'

tosk g" jir 51 la" udi 9la iy osk 4la f.ù f.dia yudr h'

wjik flfia .,d hdo@

2007 jif¾oS
Ronald Harwood úiska ;sr rpkd fldg Mike Newell úiska wOHËKh lrk ,o fuh f,da mqrd jeishkaf.a wdorh oskd .ksñka ;sr.; jqjo l;=jrhd úiska ;u lD;sfhys wdorhg ,nd oS we;s mQckSh;ajhg iskudmgh ;=< tf,iskau ksrEms; o hkak újdoiïmkak h'
tys ix.S;h iy .dhkh
Antonio Pinto sh Shakira Isabel f.ks'

 
.syska n,kak'
fï iïmQ¾K Ñ;%mgh wka;¾cd,fhka ,nd .ekSug o yelshs'  
TORRENTS .kak
 
 
Paradise Now
idhsoa iy ldf,aaoa m,ia;Skfhaa kí¨ia ys Ôj;afj;s' Tjqyq <ud l, isgu ñ;%fhdah' fï iqñ;=frda BY%dh,fhaa f;,a wùõ ys § urdf.k uefrk fndaïnlrejka f,i n|jd .efkaa' Paradise Now Ñ;%mgh È.yefrkafkaa tu udrl m%ydrhg Èk lsysmhlg l,ska ñ;=rka f,i tlaj .;lrk Tjqkf.aa Ôú; j, wjidk ojia .ekh'

yks wnq widoa f.aa wOHlaIKfhka iy fnfrd fnh¾ f.aa ksIamdokfhka 2005 jif¾ fmnrjdß 14 jk Èk wrdì niska ;sr.; jQ m,ia;Sk iskud is;a;uls fï'
—fuu Ñ;%mgh foaaYmd,ksl m%Yakhla ms<sn|j l,d;aul oIaáfhka ne,Sula' foaaYmd,k{hkag fïl olskak ´kE l¿ iy iqÿ f,i;a fyd| iy krl f,i;a ú;rhs' tA;a l,djg ´kE lrkafkaa fï isÿùu ñksiqkaf.aa fohla yeáhg udkqIShj olskak˜ wnq widoa Ñ;%mgh .ek ish woyia olajñka lshd isáfhaah'

63 jk —f.da,avka .af,daí ˜ iïudk Wf<f,aa§ úfoia niska ;sr.;jQ fyd|u Ñ;%mghg ysñ iïudkh Èkd .ekSug fuu Ñ;%mgh iu;a jQ w;r" tu jif¾u welvñ iïudk Wf<, i|yd fhdackd ù ;sìKs' tfiaau" n¾,ska wka;¾cd;sl iïudk Wf<," hqfrdamd Ñ;%mg iïudk Wf<," 2005 keIk,a fndaâ T*a ßùõ iïudk Wf<," 2005 fko¾,kak iïudk Wf<," v¾nka wka;¾cd;sl iïudk Wf<," v,ia f*da¾Ü j¾;a iskud Wf<, iy jekal=j¾ *s,aï l%sálaia i¾l,a iïudk Wf<, j,§ o iïudkhg md;% jQfhaah'
.syska n,kak'
fï iïmQ¾K Ñ;%mgh wka;¾cd,fhka ,nd .ekSug o yelshs'
TORRENTS .kak
 
Come Agua Para Chocolate
ä ,d .d¾id mjqf,aa nd,u .eyeKq orejd- àgd ish ;dreKHh wef.aa uj /l n,d .ekSu fjkqfjkau lem l, hq;=h' fulaisldkq iïm%odh thhs' wdorh" újdyh wEg ;ykï fõ' tfy;a ;ykï bj;,k àgd" fmâfrda yd wdorfhka fjf,hs' àgd g ióm jkq jia àgdf. jeä uy,a ifydaoßh jk frdihqrd yd fmâfrda újdy jk w;r" B<Õ jir úis fol mqrd úúO n,mEï j,g k;= fjñka .,d hk Tjqkf.aa wmQre fm%aauh ms<sn| È. yefrk" iskud is;a;uls fï'
jir ;=kla mqrd fulaisfldafõ fyd|u wf,ú jd¾;d ;enq" tfukau f,djmqrd NdId 23 lg mßj¾;kh jQ" udhd h:d¾;jdoh weiqre lr .ksñka ,shjqkq úr, .kfhaa ruKSh fm%aau l;djl È.yefrk" f,dard tialaú,a f.aa
Como Agua Para Chocolate kï wmQre kjl;dj weiqßka" 1992 jif¾§ tkñkau ;sr.; jQ Ñ;%mghls' Como Agua Para Chocolate (Like water for chocolate) hkq iamd[a[ l:d jHjydrfhaa ˜fldamh" fm%aauh iy ,sx.sl;ajfhaa Ndfjdakak;sh˜ hkak wre;a .kajkakg iq,nj fhfok lshukls'

fuu Ñ;%mgh wOHlaIKfhka yd ksIamdofhka w,af*dkafida wrjq o ;sr rpkfhka f,dard tialaú,a o tlajQ w;r ¨ñ lejfidia" àgd f,io" ud¾flda ,sfhdkdfâ" fmâfrda f,io" rx.kfhka tlajQy'

fulaisldkq Ñ;%mg welvñh úiska mj;ajkq ,nk tAßh,a iïudk Wf<f,aa§ fyd|u Ñ;%mghg ysñ iïudkh we;=¿j ;j;a iïudk 11 la Èkd .ekSug
Como Agua Para Chocolate Ñ;%mghg yelsjq w;r" ;j;a cd;Hka;r iïudk 18 lgo ysñlï lshkakg thg yelsúKs'

.x.d ksfrdaIKs iqÿje,slkao úiska fuu kjl;dj ˜ÆKq iy l÷¿˜ f,i isxy,g o k.d we;' th úfcaaiQßh m%ldYkhls'
 
.syska n,kak'
fï iïmQ¾K Ñ;%mgh wka;¾cd,fhka ,nd .ekSug o yelshs'
TORRENTS .kak
 
Pride amd Prejudice

19 jk ishjfiaa tx.,ka;fhaa ÿIalr .ïudkhl Ôj;a jk fnkÜ mjq, jgd Pride & Prejudice Ñ;%mgfhaa l;dka;rh È. yef¾' iajdñmqreIhdf.aa urKhg fmrd;=j ish ÈhKshka mia fokdf.aa ^fcaaka" t,sifn;a" fïß" lsà iy ,Sähd& újdyhka f.ka ksoyia ùï .ek ,;fjk fnkÜ uy;añh''' ienE wdorhl iam¾Yhla ,nk ;=re újdyh msgqolsk t,sifn;a''' ish mrïmrdfj .¾jh yd wNsudkh úiska u¾okh lrkQ ,enQ" WodiSk vd¾is '''''

fcaaka Tiagka f.aa kjl;dj weiqfrka" 2005 jif¾È tu kñkau ks¾udKh jqkq iskud mghls fï' ;sr rpkfhka fvfndrd fud.dIa o wOHlaIKfhka fcda rhsÜ o tlajQy' flaard khsÜ,s t,sifn;a f,i;a" ue;sõ uelaf*aaâka vd¾is f,i;a rx.kfhka tla fjhs'
fuu Ñ;%mgh ;sr.;jQ m,uqjk i;sh ;=," o¾Yk jdr 400 l§ th fvd,¾ ñ,shk 4'5 l wdodhula Wmhkakg iu;a úh' tfiaau f,djmqrd ;sr.; ù fvd,¾ ñ,shk 121 lg wdikak wdodhula Wmhñka" f,dal iskudfõ fndlaia T*sia jd¾;d ì| ouñka ;sr.; jQ Ñ;%mg j,ska tlls'

welvñ iïudk Wf<f,aa §" fyd|u ks<sh" fyd|u l,d wOHlaIKh" fyd|u we|qï ks¾udKh" iy p,k rEm i|yd jQ fyd|u ix.S; ks¾udKh hk iïudk i|yd Pride and Prejudice fhdackd ù ;sìK' tfiaau" BAFTA iïudk Wf<f,ys o iïudk 5la i|yd fhdackd ù ;snqKq w;r" tu jif¾" ke.S tk fyd|u Ñ;%mg wOHlaIljrhdg ysñ BAFTA ld,a f*dauka iïudkh fcda rhsÜ g ysñjqfKaah'
.syska n,kak'
fï iïmQ¾K Ñ;%mgh wka;¾cd,fhka ,nd .ekSug o yelshs'
TORRENTS .kak
 
The Pianist
The Pianist, úYaj lS¾;sOr iskudlre Roman Polanski úiska ksmehQ iskud b;sydifhaa u. ,l=Kla ;enQ Ñ;%mghls' fojk f,dal hqo iufhaa § fmda,ka; cd;sl ;reK mshdfkda jdolfhl=f.aa i;H Ôjk mqj;la fuhg mdol ù ;sfí' kdis yuqod úiska isÿ lrk ,o l=ßre hqfoõ ixydrh ueo fÄokSh brKulg Tyqf.aa Ôú;h f.dÿre fjhs' ñksialu y÷kk c¾udkqjka lsysmfofkl=f.aa iydfhka" urKfhaa uqj fodr isg h<s Ôú;h fj; meñfKk Tyq hqoaOfhka ,o l=ßre w;aoelSï uqyq fldg úYsIag ix.S; ixrpkd ksujhs'
.syska n,kak'
fï iïmQ¾K Ñ;%mgh wka;¾cd,fhka ,nd .ekSug o yelshs'
TORRENTS .kak
 
The Cup
The Cup, 1999 § Khyentse Norbu úiska ksmhQ f,da mqrd uy;a ckdorhg m;a áfnÜ i,rejls' ysud,fhaa áfnÜ ix>drduhl jdih lrk fmdä yduqÿrejreka 1998 f,dal mdmkaÿ Yr;dj keröu msKsi rEmjdyskS hka;%hla fidhd .ekSug ork jEhu fuys l;d f;aaudjhs' f.da,ShlrKfhaa n,mEu mßêfhaa yqol,d ck lKavdhï fj; .uka lrk wkaou;a" tys Èÿ,k iajrEmh úiska ñksia Ôú; lKmsg fmr<k wkaou;a .ek fï i,refjka idlÉPd flfrhs'

Ñ;%mgfhaa uqLHd¾:h l=¿ .kajk fonils fï' fï foni we;s jkafkaa ix>drdufhaa m%OdkS uy¿ iajdóka jykafiaa iy orejkaf.aa mdmkaÿ fïkshdj .ek kuHYS,S yeÕSfuka lghq;= lrk ;reK iajdóka jykafiaa w;rh'

—yduqÿrefjda yslauùu wudrehs' úfYaaIfhka u fï ojiaj,˜
—wehs fï ojiaj, úfYaaIhla@˜
—f,dal l=i,dkh ykaod˜
—fudloao tA@˜
—YsIagiïmkak cd;Ska folla" fnda,hlg igka lrkjd˜
—Tn úys¿ lrkjo@ tA lshkafkaa m%pKav;ajh@˜
—iuyrúg'˜
—,sx.sl o¾Yk;a ;shkjo@˜
—kE' fldfy;au kE˜
—Tya' Tn fldfyduo fï ish,a, okafkaa@˜ ^iskd&
 
.syska n,kak'
fï iïmQ¾K Ñ;%mgh wka;¾cd,fhka ,nd .ekSug o yelshs'
TORRENTS .kak
 

Biclycle Thief

1948§ Vittorio De Sica úiska wOHlaIKh l< fï i,rej b;d,shdkq kj h:d¾:jd§ iskudfõ m%uqL lD;shls' Luigi Bartolinif.aa fï kñkau hq;a m%nkaO l;dj weiqßka ksmhQ fuh f,dj fuf;la my< jQ úYsIaG;u iskud ks¾udK kï flfrk ,ehsia;=j, ks;ru fY%aaKs .; fjkakls' 1950 § welvñ f.!rj iïudk Èkd .;a w;r 1952 § Sight & Sound iÕrdj úiska meje;ajQ úpdrl u; úuiqulska tA jk úg ;ekQ fyd|u iskud úhuk f,i iïudkhg md;% úh' bka jir .Kkdjlg miq" tkï 2002 § meje;ajQ u; úuiqul§ th fuf;la ìys jQ yh jk úYsIaG;u lD;sh f,i fY%aaKs.; lrk ,§'

fï i,refjka mYapd;a fojk f,dal hqo iufhaa b;d,shdkq iudc w¾nqoh ishqï f,i újrKh flfrhs'
Antonio Riccig ;u /lshdfõ iqrlaIs;Ndjh i|yd w;HdjYH nhsisl,h fidrlï lrkq ,eîfuka miq Tyq;a" Tyqf.aa orejd;a tlaj ùÈ mqrd th fidhd hEu iy tys§ Tjqka uqyqK fok isÿùï fuys uQ,sl f;aaudjhs' nhsisl,h fidhd .ekSfï ish¿ wjia:d .s,sySfuka miq Tyq nhsisl,hla fydrlï lrkakg fm<fUk w;r" tu.ska ks¾fodaIS ñksfil= mj;sk iudc wd¾:sl jgmsgdj úiska fidfrl= njg m;a lsÍfï .eUqre foaaYmd,ksl bÕsh u;= lrhs'

fidrlu wiq ù" ñksiqka úiska wkqlïmd fldg ksoyia lsßfuka miqj nhsisl,h o wiSrefjka fidhd .;a /lshdj o wysñjQ
Antonio iy orejd" fifuka weúo f.dia w÷re udj;l ñksia .x.djlg tl;= ùfuka Ñ;%mgh wjidk fõ' th Tjqkaf.aa wkd.; brKfï wúksYaÑ;Ndjh úYo lrhs'
 
.syska n,kak'
fï iïmQ¾K Ñ;%mgh wka;¾cd,fhka ,nd .ekSug o yelshs'
TORRENTS .kak
 
The Polar Express
k;a;, Wod fjkafkaa mqxÑ orejkaf.aa wysxil ySk o,ajñka' k;a;,a iShd úYajdi fkdl< orefjl= ;ukaf.aa ySk we;=f<aa Tyq fidhdhk ùr pdßldjhs fï' k;a;, hkq wdorh" tlsfkldg Wojq lr.ekSfï ifydaor;ajh nj;a" fyd|u k;a;,a ;E.a. jkafkaa wdorKSh ñ;=rka nj;a The Polar Express wmg lshd fokjd' Robert Zemeckis úiska wOHlaIKh lrk ,o fï fid|qre ;%sudK iÔùlrK i, rej" orejka muKla fkdj- fï k;a;f,aa§ yeu flfkl=u fydhdf.k kerôh hq;a;laæ
.syska n,kak'
fï iïmQ¾K Ñ;%mgh wka;¾cd,fhka ,nd .ekSug o yelshs'
TORRENTS .kak
 
warphotographer
"Every minute I was there, I wanted to flee. I did not want to see this. Would I cut and run, or would I deal with the responsibility of being there with a camera"
(James Nachtwey)
James Nachtwey keue;s f,dal m%lg hqo PdhdrEm Ys,amshd iy Tyqf.aa w;aoelSï mdol fldg f.k ;eKqkq iaúia jd¾;d Ñ;%mghls' hqoaOh iy tys l=ßrenj ms<sn| leurdlrefjl=f.aa lshùu fï lD;sfhka ms<sìUq fjhs' we*a.ksia;dkfhaa nqÿ ms<su úkdY lsÍu ms<sn|j" w;sYhskau m%lg jd¾;d Ñ;%mgh- The Giant Buddhas ks¾udKh l< Christian Frei fï Ñ;%mgh o wOHlaIKh fldg ;sfí'
.syska n,kak'
bl=;a hqfrdamshdkq iskud Wf<f,aa § fï Ñ;%mgh fld<U § ;sr .; lrk ,o w;r iïmQ¾K Ñ;%mgh wka;¾cd,fhka ,nd .ekSug o yelshs'
TORRENTS .kak
 
wdldi l=iqï
m%ikak ú;dkf.aa isisf,ka werUQ iskud pdßldfõ kjuq mshjr wdldi l=iqï fï jk úg;a c.;a we.hqug m;a jQ úYsIag iskud l;shla ù wjika' wdldi l=iqï rx.kh fjkqfjka bka§h cd;Hka;r iskud Wf<f,aa § ud,kS f*dkafiaald rc; uhqr iïudkh ysñ lr .;a mqj; ud,kshg;a wfmaa iskudjg;a wdorh lrk fndfyda fofkl=f.aa i;=gg ldrKhla jkq fkdwkqudkh'
.syska n,kak'
[TAGS] Akasa Kusum, Prasanna Withanage, Malani Fonseka
 
>f¾ ndhsfr (The Home & The World)
ksy~ iduldó pß;hla jk ksÅ,a" Tyqf.aa .;s ,laIK ;shqKq f,i fy,d olsk ird.S" l%shdYS,s pß;hla jk ika§ma" iy ;%sfldaK fm%aaudkaorhlg uq, mqrñka Tyqf.aa .%yKhg yiqjk ks¾fodaIs ìu,d'''''
rîkaø%kd;a ;df.da¾ f.aa ˜>f¾- ndhsfr˜ kjl;dj weiqßka fuh fnx.d,s niska iskudjg ke.=Ks' tA 1984 j¾Ifhaa§ m%ùK Ñ;%mg wOHlaIl jrfhl= jQ i;Hð;a rdhs úisks' iajd;sf,aaLd peg¾Ô" úlag¾ nek¾Ô" fcks*¾ flaakaod,a iy ìu,d peg¾Ô fuu iskud mghg rx.kfhka tla ù we;'
.syska n,kak'
 
The Colour Purple
we,sia fjdal¾ kï wfußldkq f,aaÅldj úiska" wm%sldkq- wfußldkq iïNjhla iys;j Wm; ,o l¿ .eyeKqkaf.aa mSä; Ôú; w,,d rÑ;" mq,sÜi¾ iy wfußldkq cd;sl iïudkh ÈkQ “The Colour Purple” kjl;dj weiqßka 1985 j¾Ifhaa§ iaàjka iams,an¾.a tu kñkau ks¾udKh l, wmQre iskud is;a;uls fï' fuys tk iS,s" 19 jk ishjfiaa uq,a Nd.fhaa wfußldkq iudch ;=, úiQ j¾.jdofhaa;a" oßø;djfh;a" ,sx.sl;ajfha;a m%pKav;ajhg yd ysxikhg f.dÿre jQ l¿ .yeKqkaf.aa m%;suQ¾;shhs'
.syska n,kak'
 
rfIdfudx
wlsr l=frdij iy cmka Ñ;%mg l,dj f,djg y|qkajdfoñka 1950 jif¾È —rfIdfudx˜ Ñ;%mgh ;sr.; úKs' cmka flá l;d l,dfõ mshd f,i ie,flk tfukau ;hsfId iufhaa cmdkfhaa úiQ úYsIaG;u f,aaLlfhl= jk wl=;.j ßhqfkdiqfl úiska rÑ; flá l;d tl;=jl tk —rfIdfudx˜ ^rfId kï fodrgqj& iy —hnq fkd kl˜ ^,eyenl §& hk flá l;d oaú;ajfhaa tl;=jla f,i fuu Ñ;%mgh ks¾udKh úKs' fuh l=frdij f.aa úYsIaG;u ks¾udK j,ska tlla f,i o ie,flaa' f;dIsfrd ñ*qfk" ;lIs Isuqr" uÑfld lafHda" uihqls fudß iy ñfkdre Ñhls fuhg rx.k odhl;ajh imhd we;'

tu jif¾ fjksia Ñ;%mg Wf<f, § f.da,avka ,hka iïudkh;a 24 fjks welvñ iïudk Wf<f,aa § welvñ f.!rj iïudkh;a Èkd .ekSug thg yelsúKs'
.syska n,kak'
[TAGS] Rashoman
The Motorcycle Diaries
fï isfk-rejg" uQ,sl jYfhkau mokï ù we;af;aa fÉ ^w¾fkiafgda .=fõrd o ,d i¾kd& iy Tyqf.aa ñ;=re we,an¾fgda .%ekdfvda úiska wd¾ckaákdj" Ñ,S" mSre" fldf<dïìhdj" fjksiqfj,dj iy n%iS,h hk ,;ska weußldkq rgj,a yryd mqrd jirla uq¿,af,aa l< ùr pdßldjhs'
tjlg ,;ska weußldkq uydoaùmh mqrd Tvq ÿjd ;snQ l=ßre wêrdcHjd§ mSvkh ms<sn| uq,au mdvu fÉ W.;af;aa fï ixpdrfhks' fid|qre fidnd isßfhka o .=ma; wdYap¾hhkaf.ka o .yk jQ ,;ska weußldkq ìï ;=< tA wmQ¾j;ajhg háka .eí j ;snQ lgql Ôjk h;d¾:h fÉ úiska uq,ajrg iam¾Y lf<aa o" iudc ia:ÍlrKh iy mx;s w;r jQ .egqu iÔù f,i;a ixfõ§ f,i;a w;a ÿgqfhaa o fï ixpdrfhks'
.syska lshjkak'
.syska n,kak'
[TAGS] Ernesto Che Guevara
 
bjdkaf.a <udúh
je,eâó¾ fndf.dfudf,dõ úiska ,shk ,o bjdka kï flá l;dj weiqfrka ;ekQ i,rejls'
fojk f,dal hqo iufhaa c¾udkqjka úiska mjqf,aa ish,af,da urd ouk ,o bjdka kï orefjl=f.aa <udúh ms<sn| j fï l;dfjka lshefõ' iïudkkSh iskudlre ;¾fldõialsf.aa uq,au Ñ;%mgh hs'
.syska n,kak'
[TAGS] Ivan's Childhood
 

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''''wd¾áiaÜ,d nyq;rhlf.aa ;shk frda. ,laIKhla ;uhs" fï iudcfhaa ms<s.ekSu n,dfmdfrd;a;= ùu' iudcfhaa nyq;rh ms<s.kakd u;fhaa fldgila njg m;aùu' tAl fudí tlla' rxpqjla' ˜cky;=rd˜ tflaa lshkjd" fï fudí tl lshkafkaa ljkaOhla' T¿jla keye' wms rxpqfõ fldgila fj,d' thska ,nkakd jQ wd;;sfhaa yd Woaodufhaa fldgila njg ;uka m;afjkjd'''''

 
l,dj iy fï fudfyd; - m%ikak ú;dkf.aa - iïmQ¾Kfhka lshjkak'
[TAGS] Prasana Withanage
 

''''c¾udkq iy b;d,shdkq *eisiaÜ fiaakdfjda" 1937 wfm%aa,a udifhaa § iamd[a[fhaa ndiala m%foaaYfhaa§ .=j¾ksld .ïudkh .=jkska fndaïn fy,d iu;,d l<y' ia;%Ska iy jeäuy,a,kaf.aa isg <ud <màka olajd jQ oyilg jeä ckhd tA wyiska wd ñkSure j¾Idjg hgj ìïn;a jQy' lS¾;su;a is;=jïlre msldfida tA ñksia jHikh .=j¾ksld kñka is;=jug kxjd meÍisfhaa m%o¾Ykh lf<aah' m%o¾Ykhg wd c¾udkq kÜis ks,Odßfhl= wrdðl;ajh iy úkdYh n,iïmkakj m%ldYhg m;al< .=j¾ksld is;=jñka fudfyd;lg úlaIsma;j fudfyd;lg kej;S" fïl lf<aa Tfyaaoehs is;=jug weÕs,a, È.= fldg msldfidaf.ka úuiSh'
kE tAl lf<aa Tfyaa,d' msldfida lSfõh'

wfYdal y|.uf.aa wlaIrhg weÕs,a, È.= fldg fïl lf<aa ;udoehs wyk ;lalä iodpdrjd§ fp!rhskag oud .eish hq;af;aa mssldfidaf.aa ms<s;=frks'

frdays; NdIK' iulh' rdjh'

[TAGS] Asoka Handagama, Aksharaya, Rohitha Bhashana Abeywardhana, Samakaya, Ravaya

 

Ndkq m%ikakf.a flá Ñ;%mghla'

.syska n,kak'

[TAGS] Bhanu Prasanna, Speechless